Dean Kavanagh Movies

The latest materialist gesture in cinema's dematerialisation- uncompromising alter-ego Johnny Kline returns in the form of found and partially...

The remains of a day. Originally conceived as part of the portmanteau feature film In Passing (2011), which was completed by an international...

A young man recalls a fishing trip from his childhood but he is uncertain if it is his own memory.

A séance of old and new light.

This found footage project takes the form of four experimental films surrounding the mystery of the titular character. Rather than overtly appearing...

The discovery of an ancient artefact. The night extends beyond the grip of reality. The inhabitants of a small community perish.

Haunted by the memory of a blind woman with visionary powers, a man revisits the sites of their love affair. Rather than unfolding as a traditional...

A relationship between a man and a woman discloses during the course of the film.

The second film in a two-part study of daily routines.

A compendium of home movies sewn into a fragmented nocturnal narrative on travel

The first film in a two-part study of daily routines.

A man cruises the streets of his old neighbourhood at nightfall.

Originally conceived as a road movie, Sound from the Valley Floor is at once a film diary and a perverse comedy permeated with a dream logic.

The last day of the week is the first day of the week.

A contract killer reluctantly accepts a last minute assignment in the run-up to Christmas. The routine job takes an unexpected turn, and he finds...

Cut to the chase was a phrase used by Hollywood studio executives, meaning “don't bore us with the dialogue - get to the interesting scenes...

Onlookers at the canal.

A relationship unravels during a storm. Poor Edward is considered as part of the official canon of Remodernist Film.